The Character Who Forgot Themselves: Building a Backstory with Tarot

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Hello lovelies!

We are going to switch gears a bit today and get into something creative. Instead of using the cards for insight, we will be creating a character from the ground up. For this reading, I’m focusing on a character in their teen to young adult years, a stage where identity is still forming and shifting.

Even if you’re not in the mood to fully create a character, you can treat this as a warm-up. Something to get your mind moving, your imagination stretching, and your creativity flowing before you dive into your writing. This spread actually came from a time when I was deep in planning mode, building worlds, histories, and characters… and, if I’m being honest, getting a little lost in the sauce. You know that stage where everything exists except the actual story? Yeah… I was living there for a while.

For this reading I will be using the Ukiyo tarot deck and the Dark Mirror oracle deck. The tarot will give us the structure, the bones of the character’s story, while the Dark Mirror will help reveal something deeper, the inner distortion, the shadow pattern, the lie they may not even realize they’re carrying.

I’ll go more into what that means when we get there, but for now just know this:

There is no “correct” way to interpret this.

Take what stands out to you. Follow the thread your mind pulls on. The story you see in these cards is the one that’s meant to unfold, and that’s what makes the character truly yours.

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Before we get into the structure of their story, I want to start with the piece that feels closest to the core of who they are… or perhaps, who they’ve lost along the way.

When I work with the Dark Mirror in character creation, I like to think of it as revealing something internal. Not events, but perception. The distortion they carry, the shadow pattern they fall into, the inner lie that quietly shapes how they see themselves and move through the world.

The card that came through this time is Forgetting Oneself.

This card isn’t a loud card. It’s quiet. Subtle, often not presenting well into one’s life. This is them being a social chameleon, spreading themselves thin and blending into the world around them.

Presenting the ‘appropriate’ version of them based on the things that are going on around them, taking as little space as possible and hiding who they truly are. Because that’s just safer than the opposite.

There might be a variety of reasons they are doing this  but they have done this so often to the point that they might even forget who they really are.

And when I looked at the tarot that followed… it made sense.


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So now that we understand the pattern they carry… let’s take a look at where it may have begun.

Because no one simply forgets themselves all at once.

It happens in pieces.

Let’s start at the beginning.

Starting with childhood, we got the 3 of wands, the king of cups and the High Priestess. It was with these three cards that the Dark Mirror’s reflection made sense.


This is the childhood of someone who was forced to figure it out at a young age. Uncertainty was probably a constant factor in their life. Watching and observing, trying to anticipate when the next thing might go wrong. Their care takers might have figured since they are not causing any problems that they didn’t need that much guidance, so to compensate they had to grow up faster than their peers.

Because of this, they were likely called “mature for their age” or told they had an old soul. They saw things they shouldn’t have needed to see yet. And when they did act their age, they may have been told they were too much… so they learned to box those feelings up and deal with them quietly.

I believe it’s here, within the King of Cups’ energy, that the seed of Forgetting Oneself was first planted. Paired with the High Priestess, this creates a child who feels deeply, understands more than they’re told… but keeps it all inside.

And when you add their ability to read the room, to anticipate and adapt…

it becomes very easy to disappear without anyone noticing.

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Moving into their teen years, we got the Chariot and the Ace of Cups.

If childhood was about adapting and observing, this feels like the point where they begin trying to take control of their life. The Chariot carries a kind of determination that doesn’t come from confidence, but from necessity. A need to direct where they’re going, to create some sense of stability in a life that may have felt uncertain for far too long.

This is someone who starts pushing forward. Setting goals. Focusing on movement, progress, direction. Doing whatever they can to stay in control of themselves and their environment. However control doesn’t erase what’s underneath.

Because alongside that, we have the Ace of Cups.

And this feels like the moment something breaks through. An emotional experience. A connection. A feeling that isn’t quiet or contained or easily managed. Something that asks them to feel fully, rather than observe from a distance or keep everything neatly tucked away.

For someone who has spent so long adapting, anticipating, and minimizing themselves… This kind of emotional opening can be overwhelming. It doesn’t fit neatly into the structure they’ve built.

And so there’s tension.

The Chariot wants control. Direction. Forward movement.
The Ace of Cups asks for vulnerability. Openness. Presence.

And for someone who has learned to forget themselves in order to navigate the world…this becomes a turning point. Because now they are faced with something they can’t easily adapt to. And for the first time, adapting may not be enough to protect them from what they feel.

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When you step back and look at this character as a whole, the pattern becomes clear.

This isn’t someone who lost themselves all at once.
There’s no single moment you can point to and say, this is where it happened.

It’s woven into them.

In the way they learned to observe before they spoke.
In the way they were shaped by what was needed of them, rather than what came naturally.
In the way they adapted so well… that eventually, there was nothing left untouched by it.

By the time they reach a point in their story where something real begins to surface, something that asks them to feel, to choose, to exist as they are… that’s where things start to shift.

Because now you have a character who doesn’t just face external conflict… but internal dissonance.

Who are they, when they are no longer adapting?
What happens when control is no longer enough to hold everything in place?
What does it look like for someone like this to try and come back to themselves… if they even can?

And that’s where the story begins to open up.

Because a character like this isn’t just shaped by what they’ve been through…
but by whether or not they ever find their way back.

Until next time… follow the thread and see where it leads,

Tsui ❤

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